Tuesday, October 10, 2023

CONCLUSION: GLOBALISATION AND THE FUTURE OF THE POSTCOLONIAL STUDIES

Thinking Activity


This blog is a response to a thinking activity assigned by Dr. Dilip Barad sir, Department of English at MKBU. In this blog, I will delve into my comprehension of postcolonial studies, focusing particularly on two articles by Ania Loomba. But let's first explore the concept of postcolonial studies.


What is Postcolonial Studies?

M. H. Abrahms, in A Glossary of Literary Criticism notes that “The critical analysis of the history, culture, literature, and modes of discourse that are specific to the former colonies of England, Spain, France, and other European imperial powers. These studies have focused especially on the Third World countries in Africa, Asia, the Caribbean islands, and South America.….. Postcolonial studies sometimes encompass aspects of British literature in the eighteenth and nineteenth centuries, viewed through a perspective that reveals the extent to which the social and economic life represented in the literature was tacitly underwritten by colonial exploitation.”


So by analysing the concept of the postcolonial studies, we come to the conclusion that the postcolonial studies are a reaction against colonialism and it raises questions against the colonial world who were exploiting the third world countries. 



Gayatri Spivak, Homi K. Bhabha, Edward Said and many others have talked about postcolonial studies. As I am referring here to the two articles of Ania Loomba in detail in terms of postcolonial reading, it becomes essential to note that she has talked about colonialism of the recent time- in the postcolonial world. How? So let’s explore both the articles one by one. 


CONCLUSION: GLOBALISATION AND THE FUTURE OF POSTCOLONIAL STUDIES


In this article Ania Loomba talks about Globalisation and the Future of Postcolonial Studies. She delves into or draws our attention to the past and present forms of empire, emphasising the importance of understanding pre-colonial histories to gain a more sophisticated perspective on contemporary global issues. 


 As per my interpretation, this article can be divided into four parts:


  1. 9/11 attack 

  2. New American Empire

  3. Market Fundamentalism

  4. Role of the Universities



The 9/11 attack:

September 11, 2001 marks the terrorist attack on the Twin Towers- World Trade Centre which marks the significant point shaping contemporary history. This attack or the Global War on terror and the US invasion of Afghanistan and Iraq mark the significant change while looking at the postcolonial studies. This marked the emergence of the New American Empire which raised questions of domination.

 

As Ania Loomba notes,


“Since the events of 11 September 2001, the so-called global war on terror, and theUS invasion of Afghanistan and Iraq, it is harder than ever to see our world as simply postcolonial. As the New American Empire develops, openly and shrilly advocated by policy-makers, politicians, and academics within the US and elsewhere, it is more “Since the events of 11 September 2001, the so-called global war on terror, and the urgent than ever to think about the questions of dominations and resistance that have been raised by anti-colonial movements and postcolonial studies worldwide.”


All these events are the part of globalisation which examine the relevance of post colonial perspective to the current world state. Globalisation has changed the world a lot. Critica and advocates have argued that we don’t need to focus on the history of European colonialism anymore. Globalisation cannot be analysed using the concepts of centre and margin, so now it is better to see it in terms of transitional networks, regional and international flows. And thus Geographical and cultural borders are breaking down. This idea is quite familiar to postcolonial studies, but it can be changed in how we think about colonial and anti-colonial stories.


Michael Hardt and Nargi in their book ‘Empire’ describes our contemporary global formulation in Imperial terms. It argues that the contemporary global order has produced a new form of sovereignty which is called the ‘Empire’.


Michael Hardt and Antonio Negri, in their book "Empire," argue that our modern Empire is different from traditional empires. They call this new form of power "Empire." Unlike old empires, the Empire doesn't have a central base of control, fixed borders, or barriers. It's a more flexible and widespread system of rule that includes the whole world and manages diverse identities and exchanges through adaptable networks. So in a way they state that the new empire is better compared to the old empire.


Susie O'Brien and Imre Szeman, find it useful for thinking beyond the traditional idea of powerful centres and marginalised peripheries in globalisation. They believe this old model has limited our ability to understand modern power dynamics.


However, some critics argue that global power dynamics still involve centres and margins, and globalisation has increased existing inequalities, especially those rooted in colonialism. Tim Brennan points out that the 'Empire' has almost nothing to say about the actual peoples and histories the empires left behind... The authors barely nod in the direction of guest worker systems, uncapitalized agriculture, and the archipelago of maquiladoras at the heart of globalisation's gulag. colonies of today are given little place in the book's sprawling thesis about multitudes, biopolitical control, and the creation of alternative values". 

 

The Global mobility of capital, industry, workers, goods and consumers dissolves earlier hierarchies and inequities, democratises nation and the relations between nations, and creates new opportunities which percolate down in some form or another to every section of society.


In Simon Gikandi's "Globalization and the Claim of Postcoloniality," he notes that even though globalisation is thought to have made postcolonial critique less relevant, it actually emphasises its radical newness by adopting important concepts from postcolonial studies, like 'hybridity' and 'difference.'


Etienne Baliban points out that neo-racism is more about cultural differences rather than biological. But today, culture can also function like nature. For instance, Muslims, they are majorly considered as a person who can never successfully assimilate into the western societies, as they are culturally conditioned to be violent, the ideas that dominated the media after the 9/11 attack in US. 


The Reluctant Fundamentalist(2007), a novel by Mohsin Hamid is the finest example of it. It was later adapted in the film with the same title, directed by Mira Nair in 2012. This film is based on the 9/11 attack and its impact on a Muslim guy. 


Globalisation brings positive changes by breaking down old hierarchies and connecting nations more democratically. However, globalisation isn't always good for everyone. While globalisation has made technology and information more accessible and improved some economies, it has also caused problems. 


Market Fundamentalism:

As P. Sainath notes that the mobility of capitals resulted in its own fundamentalism, which he addresses as Market Fundamentalism.


“Market Fundamentalism destroys more human lives than any other simply because it cuts across all national, cultural, geographic, religious, and other boundaries. It’s as much at home in Moscow as in Mumbai or Minnesota. South Africa —whose advances in the early 1990s thrilled the world —moved swiftly from apartheid to neoliberalism. It sits as easily in Hindu, Islamic or Christian societies. And it contributes angry, despairing recruits to the armies of all religious fundamentalisms. Based on the premise that the market is the solution to all the problems of the human race, it is, too, a very religious fundamentalism. It has its own Gospel: The Gospel of St. Growth, of St. Choice."

It advocates the rise of multinational companies which have gained their place as a new empire globally.


Globalisation has provided a lot of opportunities, breaking the boundaries of the physical world. But today 

Instead of becoming more united and prosperous, the world economy is now becoming even more divided. Poor are becoming poorer and Rich are becoming richer and richer.


Even the World Bank IMF, acknowledges that the number of poor people globally increased in the 1990s due to unemployment or underemployment. Just as historical colonial globalisation brought the world together economically while generating inequalities, today's new empire also promotes global connectivity and opportunities but increases inequality and creates new divisions.


Globalisation is not just about integration and development but also about imposition and underdevelopment. Like 

  • Debt payments from developing countries, 

  • Depressing the prices of their raw materials, 

  • Removing trade protections, 

  • Allowing large foreign corporations to control their economies, and reducing state support for crucial services

These actions have ruined local industries, loss of job security, and increased poverty and hunger. Globalisation isn't universally positive and has deep consequences that must be considered.


For example, during protests in La Paz against exporting natural gas to the United States, demonstrators expressed their dissatisfaction with globalisation, equating it with submission and domination. They saw a connection between their region's history of colonialism and the unsuccessful economic changes of the late 20th century, including Bolivia's participation in the modern global economy. Historically, Bolivia's wealth, driven by silver mining in the colonial era and tin mining in modern times, has benefited a select few families. This demonstrates the rise of selected power structures rather than collective.


It's not just the connections between past empires and today's global economy. Even Nobel laureate Joseph E. Stiglitz, formerly the Chief Economist at the World Bank, criticises globalisation imposed by institutions like the World Bank and the IMF. He calls it "market fundamentalism." Stiglitz argues that these institutions have promoted economic policies that don't work, especially for developing countries, and have undermined emerging democracies. Moreover, he claims that globalisation itself has been governed in ways that lack democracy and harm the poor in developing nations.


Joseph E. Stiglitz draws parallels between the IMF's approach to developing countries and colonialism, suggesting that it feels like the IMF acts as a colonial ruler, and this raises concerns about whether things have truly changed since the official end of colonialism.


Thus colonialism can be seen still prevailing in the world but has just gained another form. 


In contrast to globalisation theorists, some contemporary proponents of a new imperialism openly point to the United States as the main beneficiary and enforcer of this emerging global order. Particularly after the events of September 11, 2001, academics and policymakers in the United States and Britain have been advocating for a new kind of imperialism led by the United States to fill what they see as a power vacuum and chaos left by the earlier wave of decolonization.


The new American empire has a dual approach: they both claim the legacy of past empires and assert the uniqueness of a U.S. empire. This approach is illustrated in an essay titled 'Supremacy by Stealth' by Robert D. Kaplan in The Atlantic Monthly.


Kaplan suggests that similar to how Rome expanded throughout the Mediterranean for the security of its core homeland rather than mere conquest, the United States now seeks a global presence due to the collapsed distances in the modern age. He argues that the United States is building an empire suited for the contemporary world.


In simple terms, the article discusses how some people argue that the United States should act as a global superpower, maintaining world order and preventing major international crimes. 


It highlights that while globalisation has reduced the sovereignty of nation-states in some ways, it hasn't eliminated them entirely. Nationalism and national interests still play a significant role in shaping global conflicts. This nationalism leads countries to increase their nuclear power which can hardly be seen as a progressive in any way.  Additionally, various anti-globalization movements and resistance efforts exist worldwide, often led by local communities and supported by international alliances. These movements challenge the dominance of multinational corporations and powerful nations.


Hardt and Negri argue that we can challenge powerful systems, like the Empire, from different angles. The Narmada Bachao Andolan (NBA) in India is a good example. People protested a plan to build big, unsustainable dams that could force many tribal folks out of their homes. Even though they didn't stop the dams completely, the NBA's efforts made a big impact.



They used local knowledge and methods inspired by Gandhi, and with their hard work, they got the World Bank to pull out of funding the project in 1993. This protest brought attention to how local and global economic and political powers are connected.


Plachimada Coca Cola Struggle. Plachimada is a tribal agricultural village located on the Kerala-Tamil Nadu border, which became a hotspot for continuous protests against Coca-Cola when the company established a cola bottling plant there in 2000.






The villagers claimed that the plant was responsible for water shortages and a decrease in agricultural yields.





Farmers in Gujarat's Bhavnagar district, India, oppose the construction of a cement plant on wetlands, a project undertaken by Nirma Ltd.




These farmers protested against the plant's development in the village of Padhiyarka, located within the Mahuva taluka. Farmers refused to give the land to the Company under the leadership of Mahuva taluka MLA Kanubhai as it could affect the livelihood of farmers.


Both of these examples indicate the hidden dangers of Globalization that have been sensed by the people, which may lead to the rise of selected power structures rather than collective.



The Role of Universities:


The last but not the least concern is acknowledged is the emergence of the new imperialism that has been significant for educational institutions. 


Niall Ferguson suggests that the US must learn from Britain and send its best and brightest students from its leading universities on the imperial mission. But how will the best students be prepared to do so? In a report called 'Defending Civilization: How Our Universities are Failing America and What Can be Done About it', the American Council of Trustees and Alumni (ACTA) suggests that universities are not up to this task because, unlike the rest of the country, large numbers of American academics and students are critical of US policies.


The report points out that many people on U.S. college campuses are saying that Western civilization is to blame for global problems, even though it gave us important ideas like democracy and human rights. The report criticises universities for not focusing enough on what makes America and Western civilization unique and instead quickly adding classes about Islamic and Asian cultures.


Furthermore, even those who teach Western history and literature are not resistant to critique. A report of ACTA expressed concerns not only about the exclusion of Shakespeare from required courses but also about Shakespeare and Renaissance classes being influenced by a focus on social issues such as poverty and sexuality.


That's why postcolonial studies are often criticised. These criticisms are increasing and changing over time. For example, Stanley Kurtz, who works at Stanford University, wants the U.S. Congress to connect government funding for "area studies" programs in American universities with the aim of preparing students for jobs in national security, defence, intelligence agencies, and the Foreign Service. Kurtz believes that these programs have become "anti-American" because of the impact of postcolonial studies, especially Edward Said's work called Orientalism.


Edward Said's work has been crucial in showing how academic knowledge and government power were connected during the time of colonialism and how this connection still affects the world today. To keep universities as places where different ideas are welcome, and to ensure that academic research isn't controlled by any one group, it's essential to continue studying and questioning past and present empires.


This article ends with the very significant question in terms of the role of universities and education,


If universities are to remain sites of dissent and free intellectual inquiry, if scholarship is not to be at the service of America Or any other power, critiques of the past and ongoing empires are going to be more necessary than ever.


The concern of free intellectual activity remains pivotal which constantly raises questions against the power structures.



Let's look at some of the examples from the movies as well real controversies that happened due to globalization.

Tigers:

This film is based on a Pakistani salesman's conflict with the giant multinational company Nestle.

 


Rang De Basanti:

This film depicts the clash between politicians and businessmen versus a group of young college boys. One of them has to confront his own corrupt businessman father before taking on a politician.



Ghayal Once Again:


This movie tells the story of young people who witness the murder of an RTI activist by a powerful business owner named Bansal.



Honey Adulteration with Sugar Syrup:


There have been cases of honey adulteration with sugar syrup, raising concerns about the purity and safety of honey products in the market.



Nestle's Maggi Ban in India:

In 2015, Maggi faced a massive food safety scandal due to allegedly high lead content. The Food Safety and Standards Authority of India imposed a brief, nationwide ban on all Maggi products.


Ban on Pepsi & Coke in India due to Pesticide Issues and water protest:


Pesticide residue in Pepsi and Coke exceeded limits set by the Bureau of Indian Standards. In one bottle of Coca-Cola bought in Calcutta, the level of the carcinogenic pesticide Lindane exceeded standards by 140 times. Even People have accused Coca-Cola of dehydrating villages in its pursuit of water resources to feed its plants, drying up the local agriculture. And it was agreed by the company that the plant can't  be done without water.





In a nutshell, this article provides significant overview of Globalization and the future of postcolonial studies and rightly includes the below points:


  • The September 11 attack and its consequences which led to the rise  of American imperialism.

  • The Concept of New Global Empire

  • Rise of selected power structures

  • Market fundamentalism

  • Stopping critiques of of these events by students or academicians


I hope you will find this blog useful...

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Monday, October 9, 2023

The Wretched of the Earth by Frantz Fanon

 The Wretched of the Earth 

vi

This blog is written as part of thinking activity assigned by Megha ma'am on Frantz Fanon's work 'The \Wretched of the Earth'. In this blog I shall explore some of the questions given by ma'am. But before that let's have brief introduction of 'The Wretched of the Earth' and its writer.

About the Writer:

Frantz Omar Fanon was a French West Indian psychiatrist, political philosopher and a Marxist from the French Colony of Martinique. He was born on 20th July 1925 in Fort-de-France, Martinique, French West Indies and died on 6 December 1961 at the age of 36 in Bethesda, Maryland, U. S. He was in the Algerian War of Independence as a physician and physiatrist. He is also considered as "The most influential anticolonial thinker of his time". His works includes themes like the search for black identity, the struggle against colonialism and the process of decolonisation. His major works are,

  • Black Skin, White Masks, 
  • The Wretched of the Earth
  • A Dying Colonialism
  • Towards the African Revolution

 

The Wretched of the Earth:

 The Wretched of the Earth is a non fiction by Frantz Fanon, published in 1961 and originally written in French. It is written in the first person point view set in the third world. It gathers theories and issues from his earlier writings- racial identity formation, analysis of colonialism, dialectical history, narratives of liberation, critique of Manichean thinking and political prophesy which extends to the phenomenon of decolonization particularly in African Nations. His approach remains a bit optimistic but he notes the urgency for the danger of recently independent countries. The preface of this work is written by Jean Paul Satre.

This work is divided into six chapters:

  1. Concerning Violence
  2. Spontaneity: Its Strength and Weakness
  3. The Pitfall of National Consciousness
  4. On National Culture
  5. Colonial War and Disorders
  6. Conclusion

It begins with the explanation of violence and its need for decolonization and ends with with the description of mantle disorders faced by both colonizers as well as colonized.



1) What is the role of violence in colonialism with reference to the wretched of the Earth?

        The very first chapter of 'The Wretched of the Earth' is titled 'Concerning Violence'. In this chapter, Fanon explores the process of Decolonisation. In the first sentence of the book, Fanon states that "Decolonization is always a violent phenomenon". Thus Fanon in the beginning only presents the naked truth of decolonization which is impossible without violence.   Well, Fanon's purpose is not the use of violence because revolutionary violence needs no justification as it is an inevitable consequence of colonialism itself. Colonialism is perpertuated by brutal force, as Fanon writes " Colonialism is violence in its natural state, and it will only yield when confronted with greater violence. So what makes the native claim the violence is due to the excessive colonial violence as it pushes even dramatized, terrorized people to breaking point.

         

Eventually when colonisers were believing natives as animals and as soon as the native people realised that they are human, they rebelled against colonization. Decolonisation is the restoration of nationhood. So when they realized they were treated badly on their land by the colonisers, they rebelled against it. As Fanon writes,


"For if, in fact, my life is worth as much as the settlers', his glance no longer freezes me, and his voice no longer turns me into the stolen." 

Its been to long that they are suppressed, so obviously, liberation will not go without violence. 

So in the first chapter, Fanon clears the concept of violence in terms of Decolinisation.

2) Describe what Manichaeism means in a colonial context.
 
What does the word 'Manichaeism' means?


Manichaeism is a term used for a dualistic riligious system with Christian Gnostic and Pagan elements, founded in Persia in the 3rd century by Manes.

Manichean comes from the word Mani, which is the name of an apostle who lived in Mesopotamia in the 240’s, who taught a universal religion based on what we now call dualism. If you believe in the Manichean idea of dualism, you tend to look at things as having two sides that are opposed. To Manicheans, life can be divided neatly between good or evil, light or dark, or love and hate. When you see Manichean, think “two.”

So basically this term Manichaeism is about duality.

In the context of colonialism, individuals typically don't adhere to Manichaean religious doctrines; they aren't practitioners of Mani's teachings. However, the concept of Manichaeism serves as a metaphor for the dualistic mindset inherent in colonial thinking, wherein the world is dichotomized into categories such as white and black, good and evil, colonizer and colonized. This dualistic framework is a pervasive feature of colonial society. When the colonized resist colonial oppression, there is a reversal of the established hierarchy: now, the colonizer is perceived as the malevolent force that must be eradicated.

3) Write a short note on the title “The Wretched of the Earth”.

          The title of Frantz Fanon's work, 'The Wretched of the Earth,' is remarkably direct, offering a clear insight into the persistent marginalization experienced by a particular group. The term 'wretched' encompasses a spectrum of meanings, including being in an unhappy or unfortunate state, expressing anger or annoyance, and being deeply afflicted, dejected, or distressed in body or mind. These connotations strongly suggest a focus on individuals who are systematically mistreated, voiceless, and marginalized.

        Indeed, 'The Wretched of the Earth' delves into the profound impact of colonization on those who are oppressed, particularly the black population enduring continuous marginalization by colonizers. Fanon employs this title not only to highlight the economic and political exploitation associated with colonial rule but also to underscore the profound psychological and social wounds inflicted upon the colonized.

      The significance of the title lies in its portrayal of the dehumanizing consequences of colonialism. Fanon explores how individuals under colonial rule internalize oppression, leading to distorted self-perception, alienation, and a pervasive sense of inferiority. By choosing such a stark descriptor, Fanon seeks to evoke empathy, encouraging readers to reevaluate the systems that perpetuate inequality.

          Furthermore, the title serves as a call to action, urging readers to empathize with colonized and marginalized populations. It signifies the imperative for a collective reassessment of oppressive structures and advocates for the process of decolonization on both national and individual levels. While grounded in the context of the Algerian War of Independence, the title also implies a universal experience shared by colonized peoples globally.

         In short, 'The Wretched of the Earth' encapsulates Fanon's exploration of the mental and emotional toll of colonialism, the pursuit of liberation, and the aspiration for a more just and equitable world.

4) What does Fanon mean when he says “the infrastructure is also a superstructure” in colonialism?
In Fanon's analysis of colonialism, the statement "the infrastructure is also a superstructure" challenges the conventional Marxist understanding of the relationship between economic structures (infrastructure) and cultural, social, and political systems (superstructure). In traditional Marxist thought, the economy is seen as the driving force behind societal divisions and power dynamics.

According to this Marxist framework:

Infrastructure: This refers to the economic base that determines the class distinctions and power relations within a society, creating divisions between the elite and the poor.

Superstructure: This encompasses culture, society, and the political system, and is considered to be shaped by the underlying economic structure.

However, Fanon's perspective on colonialism introduces a crucial deviation from this Marxist interpretation. In the context of colonialism, he argues that racial inequality precedes and shapes economic inequality. Contrary to the Marxist notion where the economy determines the superstructure, Fanon asserts that in colonial settings, the economic and racial dimensions are intertwined, they are not distinct entities.

       In other words, in the colonial context, the economic infrastructure does not merely influence or shape racial inequality; rather, it is deeply entangled with it. Racial inequality becomes a means of maintaining economic dominance. The economic system is structured in a way that perpetuates and is sustained by racial hierarchies.

      So, when Fanon states that "the infrastructure is also a superstructure" in the context of colonialism, he is highlighting the inseparable and mutually reinforcing relationship between economic and racial inequalities. It's a departure from the traditional Marxist understanding, emphasizing that in the colonial experience, these dimensions are not separate but interconnected facets of a deeply ingrained and oppressive system.


Conclusion:


In conclusion, Frantz Fanon's life and his important work, "The Wretched of the Earth," show his deep understanding of colonial issues and the need for decolonization. As a French West Indian psychiatrist and philosopher involved in the Algerian War of Independence, Fanon gave powerful insights into the problems of colonial oppression.


Looking at violence during decolonization, Fanon acknowledges its brutal nature due to colonial rule. Manichaeism, a metaphor for dualistic thinking, illustrates how the colonized challenge established binary narratives.


"The Wretched of the Earth" symbolizes the struggles of the oppressed under colonization. Fanon challenges traditional Marxist views by stressing the inseparable link between economic and racial aspects in colonial situations.


In essence, Fanon's work urges a rethink of oppressive structures, calling for empathy and collective action in the decolonization process. His legacy inspires reflection on the lasting impact of colonialism, emphasizing our collective responsibility to break down ingrained systems of inequality. Fanon's vision guides efforts toward a fairer world.


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Sunday, October 8, 2023

Cultural Studies- New Historicism


New Historicism


Hello readers!
This blog is written in response to the thinking activity assigned by Dr. Dilip Barad sir, the Department of English, MKBU, to reflect our understanding of one of the five types of Cultural Studies. So In this blog I will be dealing with 'New Historicism'. But first let's understand What is Culture and what is Cultural Studies.

What is Culture and What is Cultural Studies?

     The word Culture is derived from the Latin word 'Colere' which means 'To cultivate', 'to honour' or 'to protect'. Culture is the mode of generating meaning and ideas which are valid within the culture. These meanings are governed by power, which means the culture is controlled by the elite class whereas non-elite's views are rejected. It denotes that in society, certain components of culture get more significant than others.(Nayar 4) As Patrick Brantlinger has pointed out, Cultural studies is not "a tightly coherent, unified movement with a fixed agenda," but a "loosely coherent group of tendencies, issues, and questions." Cultural studies read between these gaps of the culture. As Derrida points out binary oppositions in the theory of Deconstruction. Similarly cultural studies do the same. It looks at the mass culture. 

        Due to the social turmoil of 1960s, Cultural studies composed of various elements like Marxism, Poststructuralism, Postmodernism, feminism, Gender Studies, Anthropology, Sociology, race and ethnic studies, film theory, urban studies, public policy, culture studies and postcolonial studies., which focuses on social cultural forces that has created communities or caused the division and alienation.

According to 'A handbook of Critical Approaches to Literature', there are five types of Cultural Studies:

  • British Cultural Materialism
  • New Historicism
  • American Multiculturalism
  • Postmodernism and Popular Culture
  • Postcolonial Studies(Guerin)

New Historicism:


New Historicism is an approach to literary criticism that mandated the interpretation of literature in terms of the milieu from which it emerged.(Britannica)(Pallardy)

This type provides a crystal clear distinction between Old Historicism and New historicism. The term 'New Historicism' was coined by Stephen Greenblatt. He is highly influenced by the thoughts of Jameson, Michael Foucault, Jean-Francois Lyotard, who raised the questions of art and society as institutionalised practices. Like Jameson blames Capitalism for creating the false distinction between the public and the private. Lyotard asserts that capitalism has forced false integration of these worlds.

          Porter saw history world views magisterially unfolding as a series of tableaux in a film called Progress. Here Porter tries to connote the idea of common views held for a particular period. For example, all Elizabethan held the common views. New Historicism rejects this periodization of history in favour of ordering history only through the interplay of forms of power.

        This topic begins with Laputa-"The Whore". What did Jonathan Swift mean when he gave that name to the flying island in the third voyage of Gulliver's Travels"? And as the meaning of the name of island Laputa is the whore, the question remains is why Swift has chosen this title?

          Joseph Litvak notes that "If the 1970s could be called the Age of Destruction, some hypothetical survey in twentieth century criticism might well characterise the 1980s as making the return to history, or perhaps the Recovery of the Referent". Michael Warner phrases the motto of new Historicism as "The Text is Historical, and history is Textual". Whereas Frederic Jameson insisted on "Always Historicize".

          New historicism is a return to the historical scholarship, which concerns itself with extraliterary matters like letters, diaries, films, paintings, medical treatises, to reveal opposing historical tensions in the text. So new historicism not only looks at the literary texts but also looks at other historical evidence while analysing it. It seeks surprising coincidences that may cross generic, historical and cultural lines in borrowing metaphor, ceremony, or popular culture. It observes cross culture phenomena as text. Therefore, new historicism also refers to the cultural artefacts prevailing in the time in which particular text is written. Cultural studies tend to have a figural relationship between present and past which is shaped by historical discourses. Clifford Geertz and many others emphasise on the importance of "deep" understanding of the culture rather than distanced observation. Carolyn Porter credits the emergence of American Studies, Women's Studies, and Afro-American Studies on college and university campuses for ushering in new historicism as a volatile new presence in literary criticism.

         It discusses perspectives on capitalism and its impact on the distinction between public and private spheres. Jameson criticises as I have mentioned above as well that capitalism for creating a false separation between the public and private, while Lyotard argues that capitalism falsely integrates these realms. New historicism, positioned between these views, seeks to navigate the historical effects of capitalism without rigid economic theories. Drawing from Foucault, new historicists adopt the concept of "episteme," a broad cultural totalizing function observable in literary texts. Foucault rejects the idea of history as the progression of universal ideas and sees it as discontinuous, shaped by power and knowledge. History, he argues, is a form of social oppression with ruptures integrated into succeeding cultures. The paragraph suggests that methods of expression can be oppressive, and the modern age's complex narrative is just one among many throughout history. A new "episteme" could redefine knowledge organisation and historical storytelling.

          Jameson criticises capitalism for creating a false division between the public and private realms, while Lyotard argues that capitalism instead imposes a false merging of these domains. New Historicism, as described by Veeser, attempts to reconcile the contradictory historical effects of capitalism without rigid theories. Drawing from Foucault, New Historicists adopt the idea of a broad cultural "totalizing" function called the "episteme" in literary texts. Foucault challenges the notion of history as the progression of universal ideas, arguing that we cannot know governing ideas. History, seen as discontinuous and marked by ruptures, is described as a form of social oppression to be integrated into succeeding cultures by the epistemes of power and knowledge. It suggests that methods of expression can be oppressive, and despite the modern age's complex narrative, it's considered just one narrative among many. The idea of a new "episteme" will make our current ways of organising knowledge and narrating history obsolete.

New Historicism borrows its terminology from the marketplace:
  • Exchange
  • Negotiation
  • Circulation
H. Aram Veeser identifies "the moment of exchange" as particularly fascinating for new historians. He argues that literary texts can contain social symbolic value, and as he asserts "the critic's role is to dismantle the dichotomy of the economic and the non-economic, to show that the most ostensibly disinterested and self-sacrificing practices, including art, aim to maximise personal or symbolic profit" which suggests that critics should break down the idea that there's a strict separation between economic and non-economic aspects. He believes that even seemingly selfless practices, like art, aim to gain personal or symbolic benefits. Greenblatt also emphasises that current theories need to focus on the hidden places of negotiation and exchange. Bourdieu's concept of habitus, described as a "system of dispositions" which is like a set of habits or tendencies—similar to the unspoken knowledge needed to speak a specific language.

Now let’s look again at the question raised at the beginning of the topic: Why did Swift choose the title ‘Laputa’ which means the Whore. While answering this question in terms of new historicism, it connotes the periodisation or set of views in common.

         Susan Bruce in "The Flying Island and Female Anatomy: Gynaecology and Power in Gulliver's Travels," employs the lens of new historicism to shed light on the significance of Laputa in Swift's work, particularly in Book III. explores how, in the past, there was a lot of conflict around midwives, who are women helping with childbirth. The medical profession, mostly led by men, tried to suppress them. Bruce looks at writings aimed at educated midwives and the trial of Mary Toft, who pretended to give birth to rabbits. She shows that the anger towards Toft and midwives reflected a broader hostility towards women. Bruce connects this to how women are portrayed in "Gulliver's Travels," a book by Jonathan Swift.

        She suggests that Swift's discomfort with women's bodies in the book reflects the worries of society at the time when science was growing, and women's roles were changing. Bruce sees Laputa, a floating island in the story, as a symbol of the female body. The male control over Laputa mirrors the control over women in society, and the name "la puta" suggests misogyny.

       However, the attempt to control women backfires for Laputa. Men on the island try to stop women from going to another place, and this leads to problems. Men on Laputa become impotent, meaning they can't have children. Bruce connects this to men's focus on impractical science and contrasts it with women who are lively and challenge their husbands. This struggle for control over women's bodies is linked to debates about language in the book, reflecting real debates in Swift's time about controlling women's speech and sexuality.

       Bruce concludes with a historical note about a pamphlet published in 1727, supposedly authored by "Lemuel Gulliver, Surgeon and Anatomist to the Kings of Lilliput and Blefescu." Titled "The Anatomist Dissected: or the Man-Midwife finally brought to Bed," the pamphlet addresses Mary Toft, the "rabbet-woman," further intertwining Swift's fictional narrative with the historical context of the time. (Guerin 282-284)


Conclusion:

In a nutshell, new historicism is completely opposite to what is old historicism. Where old historicism mostly delves into the common views held in one particular period or writing or culture, new historicism rejects it and it returns to the historical scholarship which analyses the various dimensions of it rather than believing in a single narrative.


Works Cited

Guerin, Wilfred L. A Handbook of Critical Approaches to Literature. Oxford University Press, 2005.

Nayar, Pramod K. An Introduction to Cultural Studies. Viva Books, 2016.

Pallardy, Richard. “Stephen Greenblatt | Biography, Books, & Facts.” Britannica, 23 September 2023, https://www.britannica.com/biography/Stephen-Greenblatt. Accessed 8 October 2023.


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Sunday, October 1, 2023

The Curse or Karna

 Thinking Activity

The Curse or Karna By T. P. Kailasam

This blog is written in response to the thinking activity assigned by Megha ma'am, Department of English, MKBU on T. P. Kailasam's play 'The Curse of Karna'. In this blog I am going to discuss ‘The Moral Conflict and Hamartia in the character of Karna’ and “Themes of the Play ‘The Curse Or Karna’.



The Curse or Karna:

'The Curse or Karna,' also titled 'The Brahmin's Curse,' is a compelling play penned by T. P. Kailasam in 1946. Rooted in the legendary narrative of Mahabharata, the play delves into the life of Karna, a mythical character with a complex existence. Despite being one of Kunti's offspring, the mother of the Pandavas, Karna grapples with the challenges of living as a Sutha. Karna, a central and tragic figure in the Mahabharata, emerges as a character of extraordinary power and unfortunate circumstances. The storyline unfolds with Kunti, prior to her marriage, receiving a boon from the revered sage Durvasa. This divine boon promises her sons from the devas. In an eager moment to test the efficacy of the boon, she implores Surya Deva to grant her a son. Consequently, Karna is born before Kunti's marriage, leading her to disown him.




Karna's abandonment by his mother due to shame leads to his upbringing by foster parents, Radha and Adhiratha, earning him the epithet 'Sutaputra.

The play, 'The Curse or Karna,' intricately explores Karna's life, his identity as a Sutha despite being Kunti's child, and the complexities arising from the circumstances of his birth. Kailasam's narrative weaves through the mythical landscape of Mahabharata, shedding light on the emotional and moral dimensions of Karna's character as he grapples with societal perceptions, familial ties, and the weight of divine boons.


The Moral Conflict and Hamartia in the character of Karna:

The Moral Conflict within Karna's journey unfolds in 'The Temptation of Karna,' just preceding the Kurukshetra war. Lord Krishna and Kunti reveal the truth about Karna's birth, thrusting him into an ethical dilemma— torn between his duty as a son and loyalty to his friend, Duryodhana. Despite Krishna's persuasive offers, Karna remains steadfast in his loyalty to Duryodhana, emphasizing the importance of duty over familial ties. Even when Kunti reveals herself as his mother, Karna, perceptive of her intentions, stands resolute in his choice to support Duryodhana, promising not to harm Kunti's sons in battle, except for Arjuna.

Hamartia, a tragic flaw or error in judgement leading to downfall, encapsulates the essence of Karna's character. This concept, derived from the Greek "hamartia," means "fault, failure, guilt,". This can be seen in Karna's narrative, which seamlessly blends classical Greek and Aristotelian elements. Similar to the Classical Greek tragic hero archetype, Karna is portrayed as a pawn of destiny. His support for Duryodhana and inadvertent endorsement of adharma contribute to his downfall. Fate, intertwined with the curse from his Guru Parsurama, plays a significant role in shaping Karna's misfortunes. Despite the tragic trajectory of his destiny, Karna's character is celebrated for his benevolence, earning him the title of 'Daan-veer.' His selfless act of giving away his armor and earrings to the disguised Indra, even when cognizant of the consequences, highlights his nobility and unwavering commitment to charity.

In essence, Karna's life unfolds as a complex tapestry woven with threads of fate, societal prejudices, and personal choices. As a multifaceted and tragic figure in the epic Mahabharata, Karna's journey resonates with the challenges of navigating moral conflicts and societal expectations in the intricate dynamics of this timeless narrative.


Major themes:

The play 'The Curse or Karna' encompasses a rich tapestry of themes that delve into the intricacies of human experience within the framework of Mahabharata. The major themes explored in the play include:
  • Caste
  • Education
  • Identity
  • Ethical Dilemma
  • Destiny
  • The Curse

Caste:

Caste assumes a pivotal role in Karna's life. As the son of Suta, he faced denial from Durvasa Rishi for acquiring knowledge. Consequently, Karna resorted to deceit, misrepresenting himself as a Brahmin when seeking instruction from Parshurama. However, when Parshurama uncovered Karna's true caste, he invoked a curse upon him. Karna also endured humiliation from Draupadi, who rejected him as a participant in her Swayamvar due to his Suta lineage. As in the conversation between Parshurama and Karna it got revealed, 

"Karna: Believe me, Gurujee, I am no Kshatriya! I am not twice-born e’en! By sire and damI      am a low born sootha!

Rama : What ? you a low-born sootha child! Nay, nay! 

Karna : I pray you list, great one! What made me lie to you of brahmin birth—the only path to gain your tutordom— it was an inner, innate call... some inborn hunger for to learn the use of arms  Raama Karna denied my lowly caste! Beyond this, Gurujee, I had no aim!, no greed for power or pelf, mulcted off oppressed victims!"


Education:

The right to education is of paramount importance in the Mahabharata. Notably, the ancient Hindu puranas and tales delineate that education was exclusive to the upper castes, including Brahmins and Kshatriyas, and denied to those of lower caste. As Karna belonged to the lower caste, being the son of a Suta, Durvasa's refusal to impart knowledge marked a significant setback. Despite this, Karna, driven by a thirst for knowledge, resorted to falsehood when approaching Parshurama, incurring a curse upon revelation of his true caste.

Identity:

Karna's identity remains enigmatic throughout his life. Despite being the son of Kunti through the union with Surya Dev, he faced abandonment due to his unmarried mother's societal predicament. Placed in a wooden basket and set afloat on a river, Karna was adopted by the Suta couple, Adhiratha and Radha, who raised him as their own. Despite his Kshatriya lineage, Karna lived as a member of the lower Suta caste, enduring numerous hardships. His identity crisis persisted, exacerbated by societal prejudices, denial of education, and Draupadi's public humiliation. Krishna, aware of Karna's archery prowess, strategically revealed his true identity during the war. Kunti, too, implored him to join his brothers, but Karna, rejecting his newfound identity, chose to be known as "Radhey" and remained loyal to his friend Duryodhana.



Ethical Dilemma:

Upon learning of his true parentage, Karna faced a profound moral conflict. While Kunti urged him to align with the Pandavas in the war, his allegiance to his steadfast friend Duryodhana weighed heavily on his decision-making. This ethical dilemma forced Karna to choose between the path of righteousness, aligned with his Pandava brothers, and the bonds of friendship with Duryodhana. Ultimately, he opted for the latter, prioritizing loyalty over familial ties.

Destiny:

Destiny played a pivotal role in shaping Karna's life. Born as Kunti's son, he lived with Adhiratha and Radha, a Suta couple, enduring the hardships associated with his lower caste. His quest for education, marked by a fateful encounter with Parshurama, resulted in a curse that would influence his future battles. Despite the twists of fate, Karna's choices remained integral to his destiny.

The Curse:

The theme of the curse is central to Karna's narrative. His pursuit of knowledge led him to seek instruction from Parashurama, Dronacharya's guru. However, Karna, not being a Brahmin, resorted to deception, earning Parashurama's wrath. The ensuing curse foretold a battle with an equal, where the Brahamastra would not manifest during the critical moments of his impending demise.

"Rama: "Rama: ‘If ever you should henceforth sorely need the use of arms you’ve learnt of me…… the barest talk, the merest thought of thy supposed sootha birth crossing thy mind…will swell thy heart to sense of shame, will dull thine eyes and mind, numb and paralyse thy limbs beyond their pow’r to help thee make the slightest, smallest use of knowledge that you’ve learnt of me! avaunt! avaunt!, ere i inflict a further curse on thee!’’"

This curse, a consequence of Karna's dishonesty, added another layer to his tragic fate.

Betrayal:

In Act V of the play, the theme of betrayal takes center stage, reaching its most intense point. Kunti, Karna's mother, secretly approaches him with a hidden plan. She disguises herself as an old queen because she wants to save her favorite son, Arjuna, even if it means betraying Karna.

In their conversation, Kunti asks Karna if he's willing to reveal the secret of his royal birth. She is ready to pay a price for this secret to use against Arjuna in the upcoming battle. Kunti knows Karna has a powerful weapon that can defeat Arjuna.

She pleads with Karna to save one special arrow for the next day's fight. During this emotional exchange, Kunti finally discloses the truth to Karna – that he is her son and the brother of Arjuna. As she say,

 "May you not spare the use of just one, a single shaft in the fray tomorrow? Let that lone arrow be reserved, the one I see enshrined there."

This revelation adds a heartbreaking layer to the theme of betrayal, showing the complex emotions and moral challenges within family relationships. Kunti's actions, driven by her favoritism for Arjuna, reveal the deep conflicts and difficult choices that characters face in the play.

He was even betrayed during the war. In the beginning of the war on the seventieth day, Karna’s Chariot wheel got stuck in the mud. So he comes down to take the wheel out from the mud. He also requests to pause the war but Krishna reminds Arjuna about Karna’s unfair treatment to Abhimanyu in the Chakravyuh. So Arjuna seized this opportunity to attack Karna. At this moment Karna decides to use Brahmastra but due to Rama’s curse he would not manifest Brahmastra during the critical moments.


Arjuna at this moment uses Anjalikastra to kill Karna which passes and hits the chest of Karna and ultimately our unsung hero of Mahabharat dies in the battle. Despite these betrayal he keeps fighting till the last atom of his soul which proves him as the greatest hero and warrior. 

All these themes are interwoven in each other.

In a nutshell, 'The Curse or Karna' navigates these themes with depth and nuance, providing a lens through which the audience can reflect on timeless and universal aspects of human existence portrayed in Mahabharata.

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